剧情简介
卫国战争的严峻岁月，通讯兵阿廖沙用坦克枪击毁了德军的两辆坦克。将军接见了阿廖沙，要为他请奖。阿廖沙请求将军不必为他授奖。他只希望准许他回家去探望一次母亲，替母亲修补一下屋顶。将军同意了他的请求，给了他六天假期：路途往返四天，在家呆两天。阿廖沙踏上了归途。一路上他遇到了很多人，表现出他的善良、对人的关心和他的纯洁的心灵。当他赶回家乡时，不巧母亲又在地里干活，待到母子相见时，只来得及匆匆拥抱一下，把头巾送给了母亲，说上三两句话，就又要返回前线了。临走时，他答应母亲一定回来。然而阿廖沙再也没有回来，他已被埋葬在远离故土的异国。从此母亲总是穿着一身黑衣服，站在村口凝望着远方。。Pupa is the story about a boy who is about to begin his puberty of his own. His body is ready to make physical transformation, but in his own eyes, every grownups are hideous monsters, and he fears that he will turn into one of them.。1970年是法斯賓達的電影人生中最多產的一年，單是劇情長片便拍了不下六部風格、類型、題材等皆各異的作品，而黑色喜劇《小心聖妓》便是其一。但對影迷來說，也許更重要的是此片乃法斯賓達自認最好的個人作品。雖然影片的名字像極與妓女有關，不過故事內容卻是另一回事。它主要講述一群苦候拍攝電影的人，因導演失蹤、器材不見，唯有在冠冕堂皇的西班牙酒店內有如行屍走肉四處飄浮，直至導演出現，大家才抖擻精神。怎料導演忙於拍攝之餘，更要落力應付各方滋事份子，令他疲於奔命，最後他還要面對巨大的財政壓力，而各位演員也開始鼓譟起來．．．此片無疑可說是導演的個人寫照，透過自嘲、黑色幽默等手法諷刺片場如地獄，不過更值得注意的是此片的混雜風格，既承接他早期的劇場化敘事，亦開其日後的通俗劇形式，可說是法斯賓達電影創作上的重要過渡作品。 1970 was the most prolific year for Fassbinder, he made six features of different style, genre and theme, and Beware of a Holy Whore was the director's personal favourite. Despite its title the film has absolute nothing to do with prostitution. With the director and equipment missing, a group of actors and crew can do nothing but to wait aimlessly inside a posh Spanish hotel. The director finally appears, but he is soon entangled with the trouble makers on the set and pressure from his financers| not before long, the actors are starting to get riotous…A black comedy and a satire of the movie set being "hell", a self-mockery on the perils of being a director. An important work where Fassbinder was making a transition from his early Brechtian style to more conventional narrative. Source: 世界電影經典回顧 2006 節目二 - 德國電影新浪潮。
