剧情简介
Henry有个不修边幅的胖母亲,他成为联邦调查特工再次回到家中,他被母亲的改变吓了一大跳。母亲变得窈窕而富有魅力,性格也变得开朗乐观,就连名字都改成了Mathy。 Henry带回的未婚妻Emily与Mathy相处甚欢,只是Henry对于母亲的改变无所适从。正当Henry努力适应母亲的改变时,一名潇洒的男人Tommy走进了母亲的生活,他们发展迅速。Henry竟发现这名Tommy跟一个艺术品偷窃团伙有关,Henry面对母亲与事业的发展,再次陷入两难,最后他还是同意上司在自家安装偷听器。 他们一路调查Tommy,更把真相告诉了Mathy。Tommy与同党想尽办法偷取了雕像,Tommy却被同党抛弃了。他马上想到了危险的Mathy,他只好向Henry说出自己的真实身份,一起合力营救Mathy。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。